Footnotes

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THRILLA MANILA SISTAS MARIBEL & MYLIN
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MARIBELA MAGIC
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ALWAYS ALLURING ROSEMARIE
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Diva Dina know the true power of her feet and will not bare them to an untied man.
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SNAPSHOT OF SEXY MYLIN FROM HER RECENT CUSTOM ORDER VIDEO
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a

  SHOE PLAY

                              

   A well scripted, full-feetured performance should encompass the following scenes, which the player may choose to execute as stand alone and/or interspersed. 

1. CLASSIC shoeplay is generally defined by some seven key movements, to wit, withdrawal/removal, dipping, dangling, dropping, heel popping, balancing, and twirling. Although rooted in its "candid" form, its value in staged form should not be minimized. For example, a shoe provides an excellent offset tool for displaying the beauty of a woman’s feet through "scrunchies".  


2. FOOT SEDUCTION performed from a sitting/reclining and/or laying position, shoes set aside, and/or teased off or about. The underlying focus of the seductress should, at all times during this scene, be directed to the olfactory senses. (ie.smell) of the intended phile, and include a thoughtful, engaging employ of the following tools/tricks:

  • a. Outward scrunchies- these movements will preferably be highly pronounced. However, if you are not accustomed to doing these, you are well advised to go it easy at first. Don't overuse unfamiliar muscles and joint as you may very quickly regret it.); 

  • b. Toe spreading- Philes naturally infer a build up of precious sweat and stink agents between a woman’s toes. The inconspicuous spreading of her toes implies the inference is true and makes for a compelling allure.

  • c. Pulling/stretching of nylon both surrounding and in between the toes as far as the material will permit, but without actually ripping them ( unless, of course, that be your intention) Otherwise, some light tearing of the fabric is fine and often most welcome insomuch as a more fibrous texture creates a more imposing look that likewise adds to the allure of the scene.

  • d. Shoenastics - This entails the use of a woman’s feet to toss about her shoes. When done well, it tends to resemble something of "tease trapeze". Practice, practice..

  • e. Kneeling scrunchies- In this movement, the woman is perched with her legs and feet beneath and behind her, flush with the camera, while she intentionally shifts her weight to the rear. This exerts additional downward force on her feet, thus accentuating the appearance of scrunching. VERY sexy!!!

  • f. CLOSE UPS!!!!!!!The wise foot seductionista knows when and how to move her feet up so close to the camera lens so as to fool the phile into thinking he can actually smell them. This can really work, especially if the phile has a reservoir of past experiences to call on.

  • g. Verbal teasing- Helpful, particularly where the model has a confident attitude and understanding of the power of her feet, but is not critical.
 
3. A lesser known, but powerfully seductive form of shoeplay for many philes involves focusing on the feet ("without shoes") they bisect the floor/ground (ex. feet standing behind counter, walking). This would be a standard cam shot. Generally not shot close up. 


No two plays should be exactly alike, just as no two players are alike. The goal of each player should be to first master the basics, and eventually expand into their own style, play to their strengths where possible, and always seek to cater to the particular turn ons of the intended audience. Insomuch as fetish philes tend to be both very specific in their likes and yet often shy, a good player must be an even better listener/observer lest their performance be made in vain..

© Tickle Salon, 2018
 


  ( Please note that "a Shoe Play" remains a work in progress..)

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Created by no.shoes